“Modern Day Huck Finn” Neal Moore stops in Louisiana
When the Down the Mississippi author and adventurer Neal Moore set out for the second great expedition of his lifetime in February of 2020, he had no idea that his two-year, 7,500-mile documentarian trek by canoe would wind up navigating a nation mid-pandemic.
The original plan was to exercise slow journalism while covering the distance of twenty-two rivers and twenty-two states—from Astoria, Oregon to New York City—all in order to “come face to face with America’s soul.” “The idea was to go, from coast to coast, within two years—leading into the national elections and the aftermath thereof,” said Moore. “What I’m trying to do is to look for positive stories of what unites us as a country.”
And while the onslaught of the COVID-19 pandemic has complicated some logistical matters of Moore’s trip—and in many ways made it more solitary—he admits to the value of being in a position to document this particular America, this particular moment in history. “If anything, this has enhanced the storytelling,” he said. “It’s during hard times when people and families and communities really step up, and I’ve been able to witness a lot of that.”
After completing the first of three “Acts” mapping his path—a 1,111 mile upstream and uphill journey up the Columbia, Snake, and Fork rivers to MacDonald Pass in Montana, completed in ninety-seven days—Moore headed 3,249 miles down the Missouri and the Mississippi, pointing straight towards our own Big Easy. And in mid-December, so close to the end, he made a stop in the Red Stick. Over the course of five days, he made the obligatory stops: beers in a Spanish Town backyard, three meals at Poor Boy Lloyds, breakfast at Louie’s. And from his Hilton room downtown, he spent most evenings looking out at the river, which he’s come to know quite well. And as an outsider, he observed that Baton Rougeans know her too: “The residents of Baton Rouge have relationships, with this river and with nature, and with each other—neighbors in Spanish Town who are friends and actually know each other—you just don’t see that in lots of larger cities.”
Just before our press date, Moore told me this on his cell phone, windblown on an island in Old Man River and shooting for New Orleans, where he would complete Act II and spend the holidays, mostly alone. “But I’m very excited about it, this solitary experience of New Orleans,” he said. “I’ve learned that traveling solo, you’re open. You’re more open to observations, to potential new friendships, to stepping out of your comfort zone, seeing things from a unique perspective.”